I attempted to convey some of my discoveries from the first week through purely visual content, such as how, when the scale of time is stretched, the rhythm of all sounds becomes exceptionally clear. “ Every sound has its rhythm, even the timing of their appearance. They blend together so naturally, as if programmed. These irregularities are part of a larger system.”
Storytelling Rhythmic Stave with Sound Notations, 2025.
The horizontal axis of the chart represents time, while the vertical axis represents pitch. I employed more specific, narrative-driven notations to convey my findings. For instance, when mentioning pigeons, I drew bird claws; when describing an infant's cry, I depicted teardrops.
Storytelling Rhythmic Stave with Typography, 2025.
I placed the experiences from the six benches along the same time vector, abstracting the benches into the vertical axis. I no longer attempted to use graphic symbols but instead employed pure typography to narrate the events unfolding at this site.
Rhythmic Stave with Sound Notations, 2025.
I placed the natural and unnatural sounds in the upper and lower sections of the stave respectively, as I found that natural sounds often have a higher pitch than unnatural ones. At the same time, I began to emphasize the use of position, space between symbols to express the rhythm of each sound type.